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Liverpool Biennial in partnership with DATA browser series.
ISSN: 2399-9675
Editor:
Joasia Krysa, Manuela Moscoso
Editorial Assistant:
Abi Mitchell
Copyeditor:
Melissa Larner
Web Design:
Mark El-Khatib
Cover Design:
Manuela Moscoso (artwork), Joasia Krysa (words), Helena Geilinger (graphic design)
MI3 (Machine Intelligence 3)
Suzanne Treister
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Suzanne Treister
Suzanne Treister studied at St Martin's School of Art, London (1978–81) and Chelsea College of Art and Design, London (1981–82). Having lived in Australia, New York and Berlin, she is now based in London. Initially recognized in the 1980s as a painter, she became a pioneer in the digital/new media/web-based field from the beginning of the 1990s, making work about emerging technologies, developing fictional worlds and international collaborative organisations. Utilising various media, including video, the internet, interactive technologies, photography, drawing and watercolour, Treister has evolved a large body of work that engages with eccentric narratives and unconventional bodies of research to reveal structures that bind power, identity and knowledge. Often spanning several years, her projects comprise fantastic reinterpretations of given taxonomies and histories that examine the existence of covert, unseen forces at work in the world, whether corporate, military or paranormal. An ongoing focus of her work is the relationship between new technologies, society, alternative belief systems and the potential futures of humanity.
- Editorial: Curating, Biennials, and Artificial Intelligence
Joasia Krysa and Manuela Moscoso - Towards a Poetics Of Artificial Superintelligence: How Symbolic Language Can Help Us Grasp The Nature and Power of What is Coming
Nora N. Khan - MI3 (Machine Intelligence 3)
Suzanne Treister - A Visual Introduction To AI
Elvia Vasconcelos - Excavating AI: The Politics of Images in Machine Learning Training Sets
Kate Crawford and Trevor Paglen - Notes On A (Dis)continuous Surface
Murad Khan - Irresolvable Contradictions in Algorithmic Thought
Leonardo Impett - Creative AI Lab: The Back-End Environments of Art-Making
Eva Jäger - Creative AI Database
Serpentine R&D Platform & Kings College London - Research & Development at the Art Institution
Victoria Ivanova and Ben Vickers - Future Art Ecosystems (FAE): Strategies for an Art-Industrial Revolution
Serpentine R&D Platform & Rival Strategy - Curating Data: Infrastructures of Control and Affect … and Possible Beyonds
Magda Tyzlik-Carver - The Next Biennial Should be Curated by a Machine - A Research Proposition
Joasia Krysa and Leonardo Impett - Glossary