Jacqueline Bebb, The Importance of Geographical Dissonance on Artistis Endeavour (Skulking and Camaraderie), 2016. Installation view at India Buildings
Jacqueline Bebb, Then, If You Are Lucky, Even You Leave, 2015. Photo by Reuben James Brown.
Jacqueline Bebb, How Much I Fancied Her 1995-2001, 2012. Photo by Giovanni De Angelis.
Jacqueline Bebb, Somewhat More Prim, Less Rambling, but the Same Radiant Sunshine, 2012. Photo courtesy of the artist.
Jacqueline Bebb, The Importance of Geographical Dissonance on Artistis Endeavour (Skulking and Camaraderie), 2016. Installation view at India Buildings
Jacqueline Bebb (b.1977, Chester, UK) lives in Chester, UK, and Portland, Oregon, USA. Bebb is interested in the impact of geographical dissonance on artistic endeavor. She uses travel as a means to galvanise thought, question cultural obsessions and examine the constructs of relationships from lifelong bonds to fleeting affinities.
Recent projects and solo exhibitions include Small Collections Room, Nottingham Contemporary, Nottingham, UK (2015), and Annet Gelink Gallery, Amsterdam, The Netherlands (2013). Her work has been shown in numerous group exhibitions including Victoria & Albert Museum, London, UK (2014), Frutta, Rome, Italy (2014), and Mostyn Open, Llandudno, UK (2013).
Jacqueline Bebb is a Liverpool Biennial Associate Artist. Bebb has been paired with Amanda de la Garza Mata (Associate Curator at the University Museum of Contemporary Art in Mexico City, Mexico).
I Have Never Felt So Frail (Material Crush), 2016
Purpleheart, Tennessee red cedar, cherry
Exhibited at the India Buildings
Every Inch Of The Surface Is Won At The Point Of A Chisel, 2016
Brass
Exhibited at the India Buildings
Liverpool Biennial
55 New Bird Street
Liverpool L1 0BW
Liverpool Biennial is funded by
Founding Supporter
James Moores