Koenraad Dedobbeleer: Re-imagining Barriers to Art
Posted on 1 September 2016 by Guest Blogger
Statue of Apollo Sauroktonos. © Tate Liverpool, Roger Sinek
What happens when we reimagine the way artwork is displayed? Liverpool Biennial’s Sufea Mohamad Noor takes a closer look at one of Koenraad Dedobbeleer’s contributions to this year’s festival. – Read more
Do Not Open It
Posted on 8 August 2016 by Guest Blogger
Lu Pingyuan, Do Not Open It, 2016. Liverpool Biennial 2016. Photo: Joel Chester Fildes
Passing through the door that recently appeared in the wall of Cains Brewery on Stanhope Street in Liverpool, you would not find yourself inside the old Victorian building it backs on to, but instead in a secret location within the CFCCA gallery in Manchester... – Read more
Get Involved: Liverpool Biennial Fringe
Posted on 16 March 2016 by Guest Blogger
Walter Hugo & Zoniel, The Physical Possibility of Inspiring Imagination in the Mind of Somebody Living, 2014.
Walter Hugo & Zoniel, The Physical Possibility of Inspiring Imagination in the Mind of Somebody Living, 2014.
Calling all artists, curators and cultural instigators! Are you running an event or exhibition during Liverpool Biennial 2016, or considering it? Then The Double Negative magazine wants to hear from you. – Read more
What is Flux Festival?
Posted on 22 July 2014 by Guest Blogger
Project GreenSleeves by Callum Stewart for Flux festival
Flux Liverpool is a pioneering arts festival featuring a programme of events engineered by young people, created for everyone. We asked Liverpool Biennial Young Fellow Callum Stewart to write about his experiences both as a Flux volunteer and a participating artist. – Read more
Review: Islington Mill at the Black-E for Liverpool Biennial 2014 #TemporaryCustodiansOf
Posted on 7 July 2014 by Guest Blogger
Endless Pageless, Maurice Carlin, 2014. Image by Greg Thorpe.
Islington Mill’s residency at the Black-E for Liverpool Biennial 2014 ran for one week and was opened to the public on the 4, 5 and 6 July. The residency offered a chance for artists to learn from the Black-E’s ethos and experiences, and came at a deeply significant juncture for the Mill. – Read more
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