Dislocation and the fetishisation of relationships underline the work of Meiro Koizumi (b.1976, Japan), and especially so in My Voice Would Reach You (2010). In a video documenting a performance of sorts, a male protagonist made an idealised telephone call that falls on deaf ears. While the man poured out his thoughts and emotions to his mother, against the backdrop of a busy Tokyo street, a call centre employee was revealed to be desperately trying to make sense of what she was hearing on the other end – a romantic request to share a spa holiday in the country together, a particular gesture in Japanese culture to signify wealth. As the video progressed, the protagonist continued to make heartfelt ‘prank calls’ in an attempt to communicate his feelings to these surrogates, reaching out to his mother too late.
My Voice Would Reach You (single channel version), 2009
HD video installation, 16mins 45 secs
Exhibited at FACT
Commissioned by Mori Art Museum
Liverpool Biennial
55 New Bird Street
Liverpool L1 0BW
Liverpool Biennial is funded by
Founding Supporter
James Moores