Peter Zimmerman, The Liverpool Billboard Project, 1999
For TRACE , Peter Zimmerman (b. Freiburg, Germany, 1956) used the existing language of billboards and rewrote the format to reflect what was actually taking place between a commercial hoarding and the passing public. By employing image, language and typography, he broke down and then re-emitted the various messages and signals of outdoor advertising. The artist thus juggled with the various components, normally perceived as a single unit, in a very public setting.
Poster, 1999
Billboard Project
Courtesy of artist
Liverpool Biennial
55 New Bird Street
Liverpool L1 0BW
Liverpool Biennial is funded by
Founding Supporter
James Moores